Tension
Thursday, August 31st, 2006When I was a kid, my parents put me into piano lessons, which I took pretty much up until I went off to college. When I was really little, I remember thinking that each note was somehow good or evil. Their moral standing was not a static thing either. It varied from song to song. While a B-flat may have been a force for evil in one song, in the next, it was imbued with a righteous glow. Each notes respective goodness or badness was intuitively understood by my childhood self. I did not have any power to influence its standing no matter how hard I tried. It simply was what it was. I assume that this was part of the tension that certain songs play with, but I really don’t know.
I was remembering this outlook towards musical notes the other day when I was playing around with my keyboard and I realized that I no longer have the same moral compass. A note is simply a note, and does not have any inherent goodness or badness. I don’t have any memory of this changing at any given point in time, but I find myself wondering if a) I’ve gained some perspective and can thus see each note as simply a tool to be used for a purpose, or if b) I’ve lost some innate childhood insight into music that is really the deeper understanding. Maybe it’s a bit of both. I don’t know.